2,024 Royalty-Free Audio Tracks for "In C"

A la Nanita Nana, is an eighteenth-century Spanish Christmas carol here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. It is done bilingually, first in Spanish, then in English. The English translation appears to have been done in house by the Army, as I can find no evidence of any other usage. CSM Debra L. McGarity

Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)

Dry ice dumped in a small fountain and recorded with an r-09hr. The bubbles sound very frantic and are continuous. I couldn't get too close, or else the splashing would have entered the mic capsules. It is a very clear sound nonetheless.

This is something what i'm thinking of for a while. It's not very musical but i'm trying to find how are this type of chords useful?. When i listen this chord it gives me some strange sad-happy mood that changes rapidly in my head.

Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.

This is not just an ordinary buzz, but is also an electromagnetic oracle that predicts a call. And so, this is just a reconstructed sound ever made on sunvox. ---------------------------------------------------------------. Used music: dj polkovnik - techno 2006 (from spaces. Ru)(c) cherryberd, 2023.

Pasquale Amato's 1911 rendition of the "Toreador Song" from Georges Bizet's 1875 opera Carmen (1875) This is Victor Matrix C-11213-1, recorded in Camden, New Jersey, on 11 September 1911, and released on a variety of labels

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully attempt not to turn my head to keep the sound clean and coming from the same direction. Of course, if you don't want binaural audio you can always easily convert to mono. This is a recording of me approaching a soda machine in my apartment complex, swiping my credit card in the new, handy-dandy credit card slot, and dispensing a coke zero (in case you really needed to know). Safe for all production as it is voice free. I kept the peaks very low to maintain a natural sound. Enjoy!. Christopher c. Courter.

Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. (full details).

Recorded using tascam dr-40 and pair of behringer c2 mics c. 10am, sunday march 19, 2017. Location: robin hood way (byway), manor hills - c. 2km south of urban edge worksop, nottinghamshire. Mixed scots pine & larch plantation with beech trees adjacent to trackway. Dry with light breeze. The murmur of the wind in the pines runs through out this recording - ebbing and flowing with the breeze. There is much woodland birdsong. Some other noises of human making can also be hear and interrupt the otherwise peaceful rural ambience. Distant jet aeroplane 0:13truck on nearby road (b6034) 2:43drone of propeller aircraft can also be hear in much of recording - prominent at 2:57, 3:23muffled gunshots 3:04, 3:34, 7:01,7:56clearer gunshot 4:50distant motorbike 8:26 to end.

Around midday on a hot, 30 deg c sunday in the summer. Four recordings,the first recording starting next to the village where there are lots of people, children playing and boats. Each subsequent recording is further from human activity, so there are more birds around. Zoom h1, internal capsules20-08-09_115346_h1_hamble_river_summer4. Wav.

Nightmare Blues Written by Arthur Behim and Frank J. Gillen Performed by Daisy Martin with Tampa Blue Jazz Band Okeh 10" 8013, Side B Matrix Okeh S-70087-C Recorded in August 1921 David Giovannoni Collection

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

A c. 1899 recording of Paul Dresser's song On the Banks of the Wabash, Far Away, performed by Harry MacDonough. The second best selling song of the 19th-Century, (in terms of sheets music sold) and the state song of Indiana.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

Some c0 16. 35hz sine drawed in audacity with mouse hand free with no correction of the irregularities, looping, an envelope drawed manually as well, like for the original graphical pixel art obscur principles, except some slight eq filtering.

Just a simple drone inspired by doom (psx) soundtrack, quake or anything similar. 2 samples, 2 synth used. No this is not me breathing, its a monster thats right round the corner in front of you (behind you, if you arent cautios !). Now you can decide to continue walking forward, or stay where you are. ;).

The city is crying in the 83rd anniversary of the death of the republic of turkey's first president and most important political figure, mustafa kemal atatürk. November 10, 202109:03. Istanbul, eminonu, galata bridge11°c, mostly cloudywind 26 km/hthe intense smell of fish and sea. Rode nt2-a omnidirectional mode.

Antonio Scotti's March 30, 1908 Victor Records recording of "Gia, mi dicon venal" from Giacomo Puccini's Tosca. Victor 88122 Antonio Scotti (1866-1936), baritone Tosca - Gia, mi dicon venal Mat. C-5084-3 Rec. March 30, 1908 Digital Transfer produced by Tim Ecker for the Internet Archive.

Movement V, "Basse et Dessus de Trompette" of Suite du Premier Ton (Suite in C major [literally "on the first tone"]) from Louis-Nicolas Clérambault (1676–1749) 1710 book of organ compositions, Livre d'Orgue. Basse et Dessus de Trompette, pièce pour orgue (for pipe organ), de Louis-Nicolas Clérambault (1676–1749)

Piano Concerto No. 3 in C minor, 3rd movement: Rondo – Allegro DuPage Symphony Orchestra (orchestra) Barbara Schubert (conductor) Andreas Klein, piano Performed 17 October 2009. From https://archive.org/details/dso20091017

Hapi drum improvisational duet with debby and gordon rosenberg, featuring hapi mini c major and hapi origin d minor. Recorded as is, no editing, 2 hapi drums, one zoom nh4 recorder, one session. Recorder set 3 feet away, at front center, recording level 80. Recorded on march 11, 2016, indoors in our studio.

This is a synth riff i created for this remix of "egyptian lover" i am in the process of doing. The notes are a b c d e. Really those are the notes. ; ) thought this riff came out pretty strangely awesome. Please enjoy, use, remix, flip around, share, comment, conspire, organize and chillax. : ).

🙏 thank you for interesting in my sounds!. Accidentically autotuned to c major, whoops 😂. Recorded on a samson c01upro - condenser mic 🎙️. Supporting me by following me on soundcloud is free aswell 🧡. Daan duister recordings 🎵.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. Let me set the scene for this audio because i am a nerd. . . Burbank, california. A large apartment/condominium complex with an open courtyard and a beautiful swimming pool and hot tub. I'm done in the hot tub and walking up 3 flights of stairs to my apartment. Squeak. . . Squeak. . . Squeak. . . Sure to sound either intimidating or goofy. Depends on your show!. I kept the peaks very low to maintain a natural sound. Recorded on 11/20/2018 in burbank, ca. Enjoy!. Christopher c. Courter.

Any thursday, 12:00 am more or less. I was sitting down in a bench, looking to the buildings opposite me, with the road at my back. My handy recorder zoom h4n in my hands. Some people was chatting next to a car and then they got inside and they left (you can hear that on the left channel. Got it? "left" channel :d). You can hear people passing from one channel to another, cars and motorbikes. It was in c/ bravo murillo (madrid, spain). In that part, it is a one way street for vehicles, so all of them go from right to left channel.

Recording of a day of the dead celebration at the museum of native american history in washington, d. C. (2014) features drumming, flute playing, chanting, yelling / whooping, whip crack sounds. Drenched in natural reverb (recorded from top floor of a circular performance space with a stone ceiling), with lots of low-frequency rumble. Possible use: could be processed for horror ambience.

Middle school (ages 12-14) band of about 50 students preparing to make an audition recording in their school auditorium. Two akg c 414 b-uls multi-pattern large diaphragm condenser mics were placed about 10 feet (about 3 meters) above the ensemble on the far right and far left, with a røde nt4 stereo condenser mic at the same height located in the middle of the group. Recorded january 2019.

This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith in 1920, and sold a million copies in its first year.This is Okeh-4169 (7529 take C) Эрзянь: This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith, and sold a million copies in its first year. Crazy Blues – blues w wykonaniu Mamie Smith z 1920 roku.

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded at dusk (~8:00pm) 2017-08-23, approximately 16'c, conditions clear. This was recorded from nearly the same position as a binaural recording made of this waterfall last month, posted here: http://freesound. Org/people/chromakei/sounds/398021/. Schoeps cmc6-uxt mk41+mk8 ms rig on rycote windscreen system shockmount on mic stand, in zeppelin without windjammer > sound devices mixpre-6 @ +56db gain, ms bal @ c, limiter on @ 24bit/192khz l+r > adobe audition (edited, no processing except mid-side mix adjust and downsampling w/dither) > flac.

Enrico Caruso and Geraldine Farrar sing "Manon! Avez-Vous Peur...On L'appelle Manon", the opening of act 2, scene 1 of Jules Massenet's 1884 opera Manon. Matrix: C 12750-2

Silent Nights performed by the Concert Band of the United States Air Force Band of the Rockies. Track 18 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

Der Heyser Bulgar (The Hot Bulgar) performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 6 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

Nearly one minute of applause without talking or other sounds, although there is some muted cheering. The audience of about 750 was recorded inside the sanctuary of a large church following a christmas-themed concert in december 2018. Microphones included were two akg c 414 b-uls multi-pattern large diaphragm condenser mics placed far right and far left, one røde nt4 stereo condenser mic in the middle, and a sony pcm-d1 field recorder at the far back of the venue.

Here are some examples of how i used bass figures in musichttps://youtu. Be/pyzfdeqndng?list=pl9bdtoyt75aviabut8torfvjricqv3lqb. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

An example of how the subtonic serves as a secondary dominant to the mediant (in A minor: G is the dominant of C). From Bach's Chorale Ach wie flüchtig, ach wie nichtig, BWV 26. It is a reduction of the opening of the "Choral" or sixth movement.

Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

A pluck on a jew's harp. Recorded late at night in my bedroom on a samsung mp3 player. I enhanced it to the best of my abilities in audacity since the original recording had a low bitrate (64kbps mp3), the volume was low and it had a lot of static noise. Unfortunately the recording have a lot less warmth to it than the instrument has in reality. I am not sure of the tone of the harp but i believe it is a c, if it is not please let me know. 1 of 15.

1st release date: between 1928 1st recording date: 13 July 1928 Place of recording: C Studio, Small Queen’s Hall, London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor: John Barbirolli (1899-1970) Performer(s): Guilhermina Suggia, Cellist (1885-1950) Vocal range: instrumental Title/Work: Cello concerto in D major Content: 3rd Movement (2nd Record) Allegro (Part 6) Genre(s): Cello concerto

Making a cup of tea/coffee pouring hot water from a cistern into a mug, ripping open a sugar packet and stirring it in with a teaspoon. Recorded on an hhb flashmic drm-85-c cardioid as foley for a podcast introduction setting listeners at a business conference.

Sound remixed fromoriginal audio:circuit breaker 2 dp. Wavsribubba. Added it to simpler, put it in c# i think, added a filter, plus some echo and reverb, added to a one shot and resampled it to this. Hope you like the noise and can use it.

Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 1st Movement (Part 1): Allegro con brio Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 3rd Movement (Part 1): Allegro Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

The Merry Bells of Speyer performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 3 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2]